Thursday, September 30, 2004

That Time of the Month?

I can't believe it's already time to review how I did on my "rotation"--if we even want to call it that any more. Here's what I said I would work on:

finish MIL's booga bag
finish neice/nephew's baby blanket
Another Martini 10 hours
cuz2, scarf
cuz3, scarf

I am planning on leaving work a bit early to get to the yarn shop before it closes so I can get more hot pink Salsa for the scarf I haven't finished. I'll also swing by Joann's to get the yarn for the baby blanket.

October goals:
finish and send baby blanket
finish birth band sampler, you know, when they finally name the baby
make small wedding sampler for 10/25
work on my sister's poncho
start Wee Ones Round Robin
start Freebie Round Robin

Wednesday, September 29, 2004

The Baby Still has No Name

And I'm still not working on his stuff. Last night, I finished up an ornament for my rr that mails in November. Do I just have problems with deadlines? I have two days left in September and a baby blanket to finish before then. I need a treat. Maybe next month, I'll let myself start something new--oh, right; I've already signed up for four round robins.

In the (Canadian) news, cross-stitch is on the way in, and knitting out:

Hot on the heels of the knitting craze, which reached its modern-day zenith last year, cross-stitch and needlepoint are the latest domestic arts to be reclaimed by urban hipsters. Just don't look for them to stitch couch cushions that read Home Sweet Home. (Calgary Herald, May 17, 2004, emphasis added)

The article features a pierced young woman who advocates shopping at subversive cross stitch. Don't we all?



Tuesday, September 28, 2004

No-Name Baby

As you know two of the projects that I have been neglecting lately are for my sil's baby, who was due in late October. Of course, she had the baby today. Just as I have been bemoaning the fact that I didn't swatch the afghan I am knitting for her (c'mon, it's an afghan) so I am running out of yarn and it's much wider than it's supposed to be. Because she had the little boy at 2:10 a.m. and a month before she was planning, the baby has no name. He weighs 6lbs and 7oz and everyone is doing fine. Except me. I've got to go to get more yarn. I hope that the color difference isn't too noticeable. (I bought the yarn originally to knit something for my first nephew--three and a half years ago.) And I've got to get back to the Baby Band Sampler. Well, just as soon as they name the baby.

Monday, September 27, 2004

Designer Dreams: Stitching Bloggers QOTW

Would you or have you designed your own cross stitch design? If you have can we see it? I have, but you can't see it unfortunately. When my cousin had her first baby, she decorated the nursery in a bee theme. I ran across a bear and hive frame that was perfect for the room. I had to design a little birth sampler to go in the small opening (3x3, maybe). I designed a band sampler, over one. I'll try to remember to get a photo at Thanksgiving. I had also designed a larger sampler intially, but never stitched that one. I've designed several other samplers that I've not stitched. One has the quote, "Feminism is the radical notion that women are people."

Friday, September 24, 2004

Photo Update

Well, I finally bit the bullet, downloaded some software and my blog has photos! I may try to move all the pictures over from my friend's website. It's definitely easier to upload them than it is to make new pages. The only problem will be that you won't be able to do before and after side-by-side comparisons. You can see I got some work done last night!

I also finished the Little House Samplings ornament from the new JCS ornament issue. I think my SIL will like it. Posted by Hello

I finished the present I didn't mean to start last Sunday. It's a Lizzie Kate freebie. I had the JABC ladybug so I used it instead of the silver bug charm that was called for. Posted by Hello

Here's "Another Martini" by Glory Bee, finished recently. Posted by Hello

This is my MIL's booga bag. The strap only looks attached.  Posted by Hello

Here's my sil's Sophie bag. I love the way it came out and I'm looking forward to doing another Posted by Hello

Wednesday, September 22, 2004

Girly Girls and the Sports They Love

Okay, so some people believe it's a fundamental contradiction: I do cross-stitch while I'm watching football. And when there's no football on, I watch poker. I know there are at least 4 women in my rr group who are football nuts. I know loyal reader Sara is a baseball fan. Kunni loves poker. I'd put up a poll to see if we're the only ones, but I reckon we're not and I know jack about polls. We're women, we cross-stitch, and we love sports.

So why can't sports commentators move into the 21st century? I mean, how fucking annoying is Norm Chad? And Peter Gammons. I'll never forget him saying that the Mark McGwire brought women to baseball because he was a good father. Well, when you offer us rapists and wife beaters as sports celebrities, I'll take "good father." But seriously, couldn't we just root for the game because we love it? But I digress...back to Chad. How annoying was his commentary on the WSOP? Joking about his ex-wives, bantering about the ruthlessness and inscrutability of women, and my favorite, "first women got the vote and now they want to play poker?" (That quote's not precise, and I'll be indebted to the person who can correct it.)

Stand up and be counted. Cross-stitch your anti-sexism message to ESPN today!

All this yadda yadda, of course, results from Annie Duke's win at the WSOP Tournament of Champions. I loved loved loved it when she told Phil Helmuth she thought her nines were good, and that she didn't know what she was doing. In the end, though, wouldn't it be better if we didn't have "the girly girl" stereotype to hide behind? Oh, sure it comes in handy for manipulating men who think we don't do math...and it can be profitable: to the tune of $2 million...but the elimination of sexist stereotypes would benefit more of us, and that would be priceless.

Tuesday, September 21, 2004

My Name Is Anna and I have a Problem.

Okay, yesterday I copped to starting the Little House ornament from the JCS Ornament Issue on Sunday. The truth of the matter is that I started three things on Sunday. Technically, none of them are on the rotation and I haven't finished the two pieces that I still have in my September to-do list, including finishing the baby blanket for the baby due in 4 weeks. (But they're both pretty close...I got an excuse for everything.)

First, my sil's hat is the lamest present. It's a nice hat, don't get me wrong. And it matches last year's scarf. It's just that the Sophie Bag that my other sil is getting is so nice that I feel bad about the hat. So I'm stitching her the Little House ornament, which should be quick.

Second, while I was tooling around the internet looking for freebie patterns for my freebie rr, I found a Lizzie*Kate freebie that says, "Snug as a Bug." Bug is a pet name in our house, so we just have to have this little piece. HAVE TO, I say. I think it will be part of the Dude's Christmas present.

The last one is triply horrible. It's an obligation piece for a wedding I attended last October. I decided to stitch M Design's Celtic Heart from JCS. You can see Dani's here (9/14). I love the design but for some reason I decided to stitch it over one. And, I, um, have about 5 weeks to finish it before the one year deadline. Maybe I won't finish this one. I think what I should do is revert back to the quickie wedding gift I've stitched a thousand times (okay, just 4). It's an old pattern, from a magazine, designed by Kandace Thomas. Taken from the Book of Common Prayer (how appropriate since the brides are both Episcopal ministers), the sentiment says "A Free Heart I Give to Thee." I like it because it's also a little bit feminist. (Of course, in our society some hearts are a little freer than others.)

I think I might start a clinic. It will be for stitchers and other crafters who can't seem to get themselves through a project. You'll come to "dry out." The only items you'll be allowed to bring are pieces that you have begun stitching. There will be no trips to the outside world. If you run out of a floss or other essential item, there will be a special shopper who will make excursions for you. You won't enter a stitching store for months, and you will have nothing to do but finish the pieces you have started. No housework, no cooking, no chauffering the kids, no schoolwork, no work. If you want to do a round robin with the other addicts there, that will be allowed (so it may seem like you are stitching new things, but your old stuff is being completed) but only under the careful control of a mentor (to make sure you don't sign up for too many rrs). I imagine, much like the Betty Ford Clinic, we'll have a lot of people who come in for a couple of weeks every year or so. I'd probably check in from October to December 24.

Monday, September 20, 2004

Better Late than Never: JCS Ornament Issue 2004

When I got home on Friday, my copy of the Just Cross-Stitch Ornament Issue was waiting for me! I contemplated coming in this weekend so that I could report on it. However, the Emmys were held down here last night and the traffic situation was unconscionable. I have to say that this new magazine is way better than the 2003 issue (see Sept 22, 2003). I found about 20 or so ornaments I plan to stitch. Some old friends are missing. Twisted Threads, who has been included in each issue since 1997, has skipped (could have something to do with the INRG presidency). Bent Creek, Nutmeg Needle, Sheepish Designs, Something in Common--all of whom have skipped once before and returned--aren't in this issue. I hope we'll see them again. Newbies include Fancy Work (The Fancy Work design is a companion piece to this one), Monster Bubbles and Little House Needleworks. I'm pleased to see them because I have all of their designs marked as standouts. In fact, don't tell anyone, but I started the Little House design last night.

The Review: The first page has cat and tree ornaments. Brown House has a lovely folk art topiary tree and Monster Bubbles has palm trees for the kind of Christmas we get around these parts. The next grouping includes "ornament" ornaments (you know, like those glass balls you hang on the tree...) a pile of presents from Full Circle Designs, a Love ornament from Forget-Me-Nots, and Charland Designs has a Love ornament to match last year's. The following page includes the "red" ornaments. The standout here is M Designs' Peace Tree. It's an abstract tree when you look at it straight on, but if you turn it to the side, you can see that it is composed of script "p, e, a, c, e". The other ornaments are interesting if you like black work, hardanger, and crosses. The blue ornament page follows. This includes two nativities (including Shepherd's Bush following up "Wisemen Came" with "In a Stable"). There are three ornaments that aren't very Christmas-y--a pretty pansy, some grapes, and a blackwork ornament done in purple, mint, and gold. My faves on this page are the angels by Sisters and Best Friends and Cross-Eyed Cricket. Animals are featured on the next page: 5 reindeer ranging from primitive to Germanic. Moss Creek has another slightly strange ornament: the straw Christmas goat. She tells the tail of the Scandinavian tradition of the dollie so I cut her some slack. There's also a sheep from Elizabeth's Designs, and they also stuck Threads Through Time's design on this page (no animals). The bird pages follow: four primitives, a heron to match last year's flamingo, a tiny cardinal and a chickadee. The santa page comes next. Dragon Dreams is back. Lest you think I'm going to slam her, I have to say I like the sentiment: "never too big to believe." Won't stitch it myself, but the dragon fans should like it. The weirdo ornament of the magazine does appear on this page. That distinction goes to Gloria and Pat's "camp grandma" ornament--another of their licensed exclusives--that features a yellow bird that could be a chick with a huge beak or it could be a pelican. It's too weird. (We went to "Camp Mimi" but it was always the summer. The only thing we learned to do there was to order out of catalogs, but I digress.) The rest of the ornaments are Santas. There's also a little box marked "ho ho;" the finishing is different. I couldn't think of how to describe the next grouping of ornaments, when I actually read the copy that JCS includes. This is the "simple gifts" page. You know, I believe this is the first time I've read this copy, and I don't recommend it. There are two ornaments with stylized poinsettias, a monochromatic swan, a Sweetheart Tree bell pull, and one that admonishes us to "Build Peace for the Children." The last ornament is cute enough, but that slogan has to go. There's also a "Quaker Motif Ornament" that includes a gift charm. Whatever happened to "it's a gift to be simple?" The snow ornaments grouping comes next. Four snowmen, a penguin, skiers, and ice skaters are featured. The other three ornaments simply match colorways. The "home sweet homes" are next. There are also a few miscellaneous ornaments here: sheet music to "Silent Night," a gingerbread man, and an Imaginating Angel (does have a house button).

Reading the recipes and Christmas stories from the designers, I had several thoughts. First, never include a low-carb recipe for Christmas. That is so irreligious. I found a special bond with Michelle Lash of Brittercup; another person who unwrapped and rewrapped Christmas presents. The only difference is that she seems to have stopped. (Okay, one day I'll try to get control of myself.) Charland Garvin has the sweetest story about the Christmas stocking her daughter made for her. My teeth ached when I read Full Circle's recipe. I want to know if anyone else would make color copies of their needlework to give to people as a gift, like one of the women from Blackbird Designs does. (I also want to hear from those who have received such a dubious gift.) Finally, Meg Thompson Shinall recommends that you start Christmas shopping in October. Puh-lease. October? Why not just wait until Christmas Eve?
Recommendation: buy it.

Speaking of recommended magazines, I see that Better Homes and Gardens Christmas Cross-stitch is on the newstands and out of the bag! But standing there flipping through it, I recognize many of the patterns. Recommendation: Leave it on the shelf.

Stitching Bloggers QOTW: Your Needlework Store

If you could design your dream needlework/cross stitch shop, what would it be like?

It would be organized, perhaps anally so. What I dislike about so many shops is that they use several methods to organize things: designer, type of design, new things, small designs out in the counter boxes, and patterns near the shop model. Just when you think you have it all figured out, something you're looking for is somewhere else! I'd try to have many models because some of the photography simply doesn't do justice to the finished piece. I'm a big fan of stores that have all the threads, so I'd carry as many as I could. I'd also try to have an area where people could sit and stitch, one that would be comfortable. The most important thing is that I would stay open late one night a week and would be open on Saturday and Sunday. You know, because not everyone who stitches is a housewife.

Friday, September 17, 2004

Peter Pan Complex

My friend BMH sent me a few retro needlework books that she picked up at a library sale recently. I've fallen completely in love with Mary Martin's Needlepoint, and I don't even needlepoint. Yes, Mary Martin of Peter Pan fame. Part biography, part travelogue, part theatre memoir, the 1969 book highlights Mary Martin's needlepoint career. The book beings with a lengthy account of the actress's first project: a 5.5' x 7.5' rug. That's right, 5 1/2 by 7 1/2 FOOT rug. That's right, first project. They had difficulty finding the right rug for their hall in the Connecticut house, so her husband brought home a painted canvas (or rather two halves of canvas). The novices anticipated stitching it in 2-3 months. It took 2 1/2 years and the rug traveled to Bermuda, Cape Cod, London, Ireland, Scotland, Paris and Sicily, as well as spending a great deal of time backstage. It was commented on by Noel Coward and trod upon by Princess Margaret.

What's so charming is that although Martin stitched forever and often designed her own pieces, she only ever did tent stitch, the "true" needlepoint stitch. Martin spends 11 pages discussing the different ways of doing continental stitch, and explains why she never used other embroidery stitches:

There is one kind of needlepointer--I am one--who would rather achieve all the details of a design with this regular, endlessly repeated even texture of the one needlepoint stitch than any other, using the combination of needlepoint and petit point as the only variation. Perhaps laziness has something to do with not using the other stitches, but I have never thought so. The limitation of making the colors plus just the one stitch do everything is the challenge. There are even those who say that resorting to the fancy stitches is cheating. This is rather prejudiced, but I sympathise even if I don't agree.


Ah, la plus que change! I can just hear all the fights on all the different cross-stitch boards and lists about needlepoint vs cross-stitch, about linen vs aida, about counted embroidery vs "just exes."

I love how she describes each piece by the recipient/reason it was made, where she stitched it (while working on "South Pacific"; while traveling by freighter from London; at the farm in Brazil), and what the significance of all the symbols are.

In one rather short chapter she describes some cross-stitch samplers in her collection done by Mary Martin in the 19th century. Yes, another Mary Martin. It is described with such naivete. That there is another Mary Martin! "There is nothing that someone, somewhere, sometime hasn't thought of before--not even one's very own name!" That this Mary Martin stitched from 1800 to 1839, much more likely that the later of the three pieces--despite the similar motifs--was done by Mary's daughter Mary. The three samplers were found in New Hampshire, Nantucket, and Eleuthera (Bahamas), but our Mary believes that this Mary just moved about (rather than considering that her stitching moved about or that the families moved them, or that buyers moved them). Ah, the thought process of the wealthy.

Nevertheless, I think this is just the sort of book that could give cross-stitch a boost. Now if we could just get a celebrity-stitcher to come out of the closet!

Thursday, September 16, 2004

Buying Fiber Art

In the most recent issue of Needlearts, the EGA newsletter, Shirley Kay Wolfersperger bemoans the lack of sales for fiber arts. They exhibit it, but we don't buy it. She wants to know why. That, I thought, is a really good question. Her friend the gallery owner said that people don't buy fiber art because they aren't educated about it. This is probably true. But what really caught my attention was this:


From embroiderers I hear many comments, such as, "I don't need to buy that, because I can learn to do it," or "this is just what my Great-aunt Charlotte did, and I have enough of that."

A person can know how to do oils yet still want to buy a Picasso. The modern fiber artists are no Picassos? How do you know? ...My Great-aunt Charlotte never did anything like what I do--never even dreamed of it. (11)

She then goes on to encourage embroiderers like us to buy embroidery since we know good from bad and great from mediocre. This will start the trend and more people will become collectors.

When I finished the article, I thought all sorts of conflicting thoughts. First, I'm not so sure we do know the great from the mediocre. I was once in a museum that displayed cross-stitch pieces that had hoop marks. (It was in conjunction with--althought not part of--The Dinner Party, and these mediocre pieces had been done by recognized artists--not necessarily recognized embroiderers.) I also have a tendency not to like the stuff that
EGA exhibits. So who decides what is great? Now I totally agree the fiber artists don't get their props because they're mostly women and it's mostly men (and the patriarchal system) that decide what's "great" when it comes to Art. But still, I'm not buying the Picasso if I don't like it.

Then I thought, "when's the last time I was in a gallery of any sort?" I think a lot of us have the DIY spirit because we just don't have money to splash around on art, let alone Art. I'm not even talking about spending money on antique needlework pieces.
I thought this as I was standing in my bedroom. I saw a little irony in my thinking--over the bed hangs a weaving from Indonesia (from my sister's trip), next to the bed is a button blanket from the Tlingit Indians in Alaska (honeymoon souvenir), on the other side of the window is a batik from India (our Indian friend brought it back for us) and that hangs near the mola I picked up in the San Blas Islands. So I do buy textiles, but the pieces have particular nostalgic meaning. (And now that I think of it, "art" produced basically for the tourist industry may or may not be art.)

Beyond the obvious monetary reasons for doing it ourselves, we love to touch the fabric, to choose the colors, to feel the threads. It may not be art but it's ours. If I buy something from a Fiber Artist, where do I get my tactile satisfaction? I'm not putting my fingers on something I just paid $500 for.

What about Aunt Charlotte? Aunt Charlotte's copies of patterns drawn by someone else might not be Fine Art, but we're back to the idea of nostalgia. There is something about having her work hanging around the house versus the work of some artist I don't know. There's a spiritual connection to Aunt Charlotte as well as the familial one.

That's what I thought when I read Wolfsperger's "Point of View."

Wednesday, September 15, 2004

Dirty Stitchers

I love having access to a university library. You can go to the electronic resources and find articles from the The Dominion Post (Wellington, NZ). Back in July, they reported on a group show "Done Dirt Cheap."

The crafts of cross-stitch and crochet, usually associated with suburban mothers and grandmothers, have been adapted to sexual themes, with the exhibition's curator happy that her own work is labelled pornography.

The group show Done Dirt Cheap, which opened last week, features work by eight artists, five Kiwis and three Britons. Works include a crocheted penis and several cross-stitch designs depicting sex acts. Curator Angela Meyer, who made the cross-stitch works, said her work was harder than mere erotica: "It's pretty explicit stuff. It will be really interesting to see how it goes in New Zealand and see whether people embrace it or go: 'This is outrageous!'"

Ms Meyer, 29, learned to cross-stitch when she was a child. She was impressed by "the beautiful threads" for sale in Wellington craft stores, but "the patterns were just naff [nb: American readers, "unstylish, cliched, outmoded"] ...I'm not really a puppies and baskets kind of gal."


Where to start with such riches? First, I'm really tired of people thinking that all cross-stitch is puppies and country-style geese. I know some of it is, especially if you are only looking in the big box craft stores. I also have a sneaking suspiscion, based on what I see in the imported craft magazines, that a lot of what is available outside the U.S. is indeed naff. But I'm not going to knock my international readers for doing it, so I'll leave it at that.

We also have to do something, as young, hip, urban stitchers--and I know some of you reading this are--to change the idea that people who cross-stitch are suburban mothers and grandmothers! I'm pushing for the stitch n' bitch for um, real stitchers. (Knitting just isn't stitching to me. Stitching has needles with eyes. Try to convince me otherwise.) So go to meetup and sign up.

And what's with the idea that grandmothers aren't hot for porn? Apparently when you get old you dry up. Just check out what one old bastard's up to. Scroll down, all the way down. I'm warning you, they're nude. Of course this is erotica and the aforementioned material depicts "sex act." Now why can't I find that on the internet?

You probably expect some kind of feminist rant against porn, but I ain't your girl. "Outrageous" indeed.


Tuesday, September 14, 2004

Smart Man, Stupid Media

My friend Dave, a very smart man, writes a letter to the editor of the L.A. Times every day. I finally convinced him to share them with the world. He'll be adding posts regularly. It's not about stitching, but in this important election year, we all need to think more. Check out Egg Head.

amy! wants to know...

amy! asked how I figure out the number of hours a project will take. She's going to hate my answer. You see, she's really precise when it comes to numbers...it's that computer science degree and all. I, otoh, love imaginary numbers. The biggest imaginary number of all is the one I come up with for how long it will take me to stitch a project. (Please note: I know that imaginary numbers exist, are real, and have specific meaning. I love language and I'm playing with it here. If that bothers you, well, I don't give a flying fuck.)

Don't get me wrong. My equation involves real numbers and real math like we learned in school. The imagination part comes in at the precise moment where you simply have to believe the math comes out right; that is, that the actual number of hours and the calculated number of hours will have anything to do with each other.

I got the "equation," iirc, from Deanna West of The Needleworker. Take the stitch height, multiply it by the stitch width. Divide by 100, or the number of stitches you can do in an hour. I stick with 100. I have no idea if that's really the number of stitches I take in an hour. It sounds good, though. Voila!

Here's an example: Sheepish Designs has a pattern called "Spotless Innocence." It is 220 stitches high and 146 stitches wide. You do 98 stitches per hour. 220*146=32120 (estimated number of stitches). 32120/98=327.75 hours.

If you really want to be precise, you would have to know the actual number of stitches in a given project. There are designers who will tell you this. For example, on Another Martini the designer gave the actual number of stitches (who wants to count?). So I know it should take me about 15 hours.

Several factors will affect your how "real" your number is: how many color changes are there? Do you have to futz about mixing 2 strands of 930 with one strand of 932? Are you stitching with one strand, or do you have to strip 3-6? Is the design packed full of stitches, lots of blank in the middle, or are you doing an alphabet sampler?

See this is why I hate Martha Beth Lewis's articles in Just Cross-stitch. She'd have you counting the exact number of stitches, and would have sub-functions for stripping floss, numbers of flosses used, blended needles, and how many breaks you took to eat chocolate.

Hey, kids, it's not computer science! ;)

Monday, September 13, 2004

Big or Little? Stitching Bloggers QOTW

Do you stitch small projects one at a time that you can finish quickly, have numerous large projects going at once that you rotate, or both? How does your current system work for you and have you thought about changing it?

I do both. My current system--ten hour rotation--was working until I realized how few hours there were until Christmas. I make most of my presents because I enjoy it. Those presents interrupt the flow of my rotation between August and December (just check out some of last year's blog entries in that time frame). I did get sick of the Gift Rotation this month and started my round robin things--oh, let's just face it, I love starting new stuff and hate the rotation. Sure I get stuff done when I do the rotation, but I want new stuff!

A note on the ten hour rotation. I've noticed on the rotation stitchers board that some people are really, um, conscientious about keeping track of how many hours they've stitched, using all manner of time pieces. I keep track by how much television I've watched. I figure if I sit down to stitch after dinner and watch three sitcoms and one drama, I'm looking at 2.5 hours of stitching. This system works for me and I wouldn't think of changing it. This also works for flights. If you get on a plane leaving Los Angeles at 8:00 a.m. traveling at 240 miles per hour...you've stitched for about 4.5 hours when you get off on the east coast. Calculate in how early you got to the airport and how quickly you got through security and you've stitched another hour while you waited to get on the plane.

Friday, September 10, 2004

The Rules

So you know I've been complaining about the situation in my office (no a/c for a month now). It's been so fucking hot in L.A. that one of the bosses decided we shouldn't come to work until they fix it. That's real nice, but you know, work does have to get done. For example, the academic advisor really is supposed to be available each day during the drop/add period. I'm not in charge of this, however. I can care all I want about the rules, but I can't make anyone follow them. (Am I the only one who pays attention to the rules any more?) At any rate, I think her goal is to use our absence as leverage for getting the system fixed. Too bad she can't swing this sort of thought for the really important issues. (She's no brain trust, Ph.D. notwithstanding.) So yesterday I dutifully stayed home. Of course, there's no a/c there either--well, not where there is also a t.v. It was an internal struggle: tv or a/c. The tv won out. I started Another Martini with the flosses that I had on hand. I also finished as much as I could. I need the GAST I ordered to continue my work. I'm hoping they'll come tonight. I also felted the Sophie and Booga bags. I had to wash the Sophie three times and the Booga four. The strap could have used a 5th washing but I wasn't going to waste water for a 6 foot strap. The Sophie is fucking adorable. It is so beautiful. I'll have to take a picture. It makes me all the more happy that I snuck a skein of Cascade 8834 for myself! The bag took no time at all and it looks amazing!

And speaking of not giving a fuck about the rules: http://www.sublimestitching.com/research.html

Wednesday, September 08, 2004

starts and finishes

This weekend, I finished the booga bag for the mil and the squiggles and splash scarf. I was worried that I might finish both while I was away from my stash, so I threw a couple of Sandy Cozzolino perforated paper Santa ornaments into the bag to keep myself amused. I finished the booga bag on the plane to Denver and the scarf on the way back to L.A. I did start one of the Santa ornaments—the unfortunate “Papa Navidad.” Don’t get me wrong, it’s cute, but does Santa Claus really wear a serape in Mexico? I have to say that I did not enjoy knitting with the squiggle. It doesn’t add very much and it is a huge PITA to work with. But you should also remember that I am an “advanced beginner” when it comes to knitting. YMMV. Tonight, I felt...if it gets below 85 degrees in my apartment. Why can't I afford to live at the beach in the "style" to which I've become accustomed?

I was putting away some stuff in my craft dresser (in the craft closet, two drawers are dedicated to cross-stitch: spent kits and UFOs.) I located several patterns that had ended up in there through no fault of their own. Three of them made the new “she’s a crazy woman” list: Trilogy’s Happy Bunny Bunny Day, Liberty Street’s Rose Bunnie (sic), and Birds of a Feather’s Scaredy Cat. The good news is that I only added 159 stitching hours to my list. I spent some time yesterday perusing the R&R Reproduction fabrics color chart to see if I had to stitch some of my pieces on their fabric. There are about half a dozen patterns that I have that call for various overdyed fabric, that I think can be stitched on antique white or summer khaki, without losing much. I am sticking with beach plum for "Chilly Willy and His Best Friend Nick"—and with the Alpine Green Tula for "Frost" and Highland Mist for "Upon a Pumpkin." As far as I can make out, however, light espresso, antique cotton, and candlelight can adequately be substituted. Wouldn’t I rather have more patterns and more threads? It’s moot right now because even given that I don’t plan on starting any of these projects in 2004, I do have the floss and fabric to do at least 11 of them. Buying more fabric can wait. ‘Til, like, March. Nevertheless, I ordered more fiber from Elegant Stitch. I really did need some of the Gentle Arts Sampler Threads for a Christmas gift project, even if I asked for more than I needed.

Tuesday, September 07, 2004

Um, whaddyacallit? Stitching Bloggers QOTW

How do you explain cross stitch to non-cross stitching people? Do they get it or do they say “Oh, right.. you do knitting then (or sewing, or needlepoint)"?
As I've reported my father calls me Madame Defarge to which I reply, "she knit!" Some days I think he's just baiting me. I usually tell people that I do needlework and let them think whatever they want to about it. Sometimes while I am doing it--and I do it publicly all the time--people will ask about it. They tell me that their [fill in female relative here] did [fill in craft here]. If I do the things they're talking about, say knitting, I say "Oh, I knit too." It distinguishes what I am doing now from what they are talking about. I always correct people when they think I sew. I don't try to teach them how to do it, unless they're little kids. Then I'll let them pull the needle through the fabric and tell them to stop pulling when the tension's right. They dig that. I will pull my work away and shout, "don't touch" no matter how young or old the toucher is and I'm willing to give a long lecture on the conservation of linen fabric and cotton floss. I mean how rude is that?

Friday, September 03, 2004

Don't Bore Me

I hate meetings. I know I am not unique. Someone must like them though, because we're all always having the fuckers. So today was the department "retreat." Since we met on campus, I don't know whence we retreated. Sure as hell wasn't an advance. Since I'm flying to Denver tonight, I had my stitching bag all packed up and ready. I decided--what the hell--let's take the bamboo needles to the meeting. WOW! Meetings are so much better when I knit. Partly due to the relaxation knitting in the round produces, for sure, but partly because I don't have to engage in all the petty position jockeying and turf protection. (This meeting was also better because my friend the adjunct who got jacked by the administration was totally supported by the faculty. Of course, we know how much power they have.) Several people approached me after the meeting because of the knitting (all positive). One professor was upset she forgot her dead mother's "threads" that she is passing on to me. Two more wanted to know if the Booga Bag was a hat (they admitted the person would have to have a big head). And the Lazy-Ass Megalomaniacal Professor wanted to know if I wanted to do a guest lecture about the women who kill thing. Fat Chance, but for him...None At All.

And last night, a prize arrived in the mail from Subversive Cross-stitch. Came in an envelop that claimed that "Smart Women Vote." Yes, they do, but the smartest women think about who's best for women's rights when they make their choices.

See you Tuesday. Happy Stitching!

Thursday, September 02, 2004

For some reason I wanted to title this Sick Fuck...

Oh, I remember...it's because I am one! Over the past few days, I have been putting together a list of projects that I want to do. This is what that looked like:

  • Sisters and Best Friends, Christmas Folk
  • Heart in Hand, Monthly Mania February
  • Heart in Hand, Monthly Mania March
  • Heart in Hand, Monthly Mania April
  • Heart in Hand, Monthly Mania May
  • Heart in Hand, Monthly Mania June
  • Heart in Hand, Monthly Mania July
  • Heart in Hand, Monthly Mania September
  • Heart in Hand, Monthly Mania October
  • Heart in Hand, Monthly Mania November
  • Heart in Hand, Monthly Mania December
  • Twisted Threads, Sweetie Peetie Pumpkin
  • Prairie Schooler, Santa Rides
  • Twisted Threads, Kind Heart
  • Mosey 'n Me, Gracie
  • Cricket Collection, Frost
  • Holliday Sparrow, We Three Kings
  • Mosey 'n Me, Hanging by a Star
  • Twisted Threads, Itty Bitty Duo of Trees
  • Cricket Collection, Why is it?
  • with my Needle, Abigail’s Wisdom
  • Cricket Collection, Upon a Pumpkin
  • Bright Needle, Friendship
  • Sisters and Best Friends, Chilly Willy and His Best Friend Nick
  • Barrick Samplers, Willow Tree Sampler
  • Curtis Boehringer, Apple Sampler (from a magazine)
  • Drawn Threads, Random Thoughts
  • Hillside Samplings, Folk Art Thread Keep
  • Sampler Company, Floral Sampler
  • Sheepish Designs, Spotless Innocence
  • Heart's Content, Friendship Saltbox

And here's where it gets weird. I wrote down the dimensions of each project. Did the math to figure out about how long each would take. And ordered them by number of hours. These are just estimates, but for example the three Christmas Folk Ornaments would take about 15 hours, the Monthly Manias about 19 hours each, all the way up to the Friendship Saltbox that will take 418 hours. If that weren't enough, I put this information into a table and now I've added two columns to figure out whether I have the fabric and the floss I need. Lots of dedicated stitchers do this too, I'm sure.

But I've got Christmas presents to make and the WIPs to finish before I can go spending four hundred and eighteen hours on a project!

Oh, and I signed up for a bunch of round robins. To, uh, do in my spare time.

Wednesday, September 01, 2004

September Goals

I planned to work on the Baby Band Sampler but yarn had arrived last night. I got some Crystal Palace Yarns (Splash and Squiggle) and the Noro Kureyon for the booga bag. The Dude wanted to watch a movie, and since we only had Chun King Express from Netflix, I couldn't stitch. I can't stitch and watch foreign films at the same time. However, since I was letting the Crystal Palace Yarns do the work, I managed to get a bit of knitting done. I also loaded up the dpns for the i-cord and the booga bag. On the way into work, I was able to knit about 3 feet of i-cord.

August Goal Review
Roly Poly 10 hours -- entirely finished!
Toy Gatherer 10 hours -- ten hours complete!
Williamsburg Doorway 10 hours -- ten hours complete!
Birth Band Sampler 10 hours -- woe is me. But soon.
Sunflower Smalls 10 hours -- entirely finished!

September Goals
Christmas crafting!
finish MIL's booga bag
finish neice/nephew's baby blanket
Glory Bee "Martini" 10 hours
cuz2, scarf
cuz3, scarf